To call Joan Wulff royalty is a well-worn accolade in the fishing
world. It’s a phrase that, while fitting, has been rubbed smooth
like an old silver dollar. Yet, somehow it’s just as comfortable
as that same dollar resting snug in your pocket.
At shows and appearances, nervous and devoted fans crowd around her,
seeking advice, a word, an autograph. She dispenses all with the
kind of grace that speaks to her age, and a good cheer that belies
it. If someone fawns too much, or evokes the familiar royalty
title, she’ll try to deflate their notions gently by insisting her fame
is only due to the fact that she’s been around longer.
Born Joan Salvato, in Paterson, NJ, she was introduced to fly fishing
by her father, who was trying to interest her brother. Not
wanting to be left behind, she took to it with a vengeance that won her
immediate notice, and started her on a lifetime trajectory of fly
fishing accomplishments. By ten years old, she was already
participating in tournament casting, and soon after, winning handily in
local, regional and national competitions. The most notable of these
was the 1951 National Tournament, where she won against all-male
competition. A personal best occurred at the New Jersey State Fly
Casting Championships, where she managed to punch out 161 feet of fly
line, (her then boyfriend, won that tournament with a distance of 181
feet.)
Joan also shared a great love for dance, and she believes that helped
her utilize her entire body while casting, overcoming the disadvantages
of her petite 5’5” frame. By 1959, she was representing the Garcia
Tackle Corporation, then the largest manufacturer of tackle in the
world. She was perhaps, the first female fishing tackle
spokesman. (Yes, spokesman is a deliberate use of the word; I
share with Joan a deep dislike of the political correctness of
gender-neutral language for its inherent insipidness.)
By 1966, her casting fame growing, Joan was asked to perform at
sporting shows and exhibitions, where she would don a strapless silver
and rhinestone evening gown and fly cast to the music of "Up A Lazy
River.” Surely a sight that must have sparked new interest in fly
fishing.
In 1967, she met and married Lee Wulff, who was the reigning king of
fly fishing. Lee was a true fly fishing pioneer, who added so
much to – and largely shaped - the equipment, the literature, and the
ethical dimensions of fly fishing as we know it today. His
signature fly was the iconic and eponymous Royal Wulff, which doesn’t
so much look like anything in particular, but catches plenty of
fish. He learned to pilot a Piper J3 floatplane on Round Lake,
and took off on hundreds of adventures deep into uncharted Canadian
waters, often recording his journeys with a hand-held 16mm movie camera
for American Sportsman. He also owned a home on the Battenkill,
near the Eagleville Bridge. Their marriage cemented a
star-powered partnership akin to the Gershwin brothers, Rodgers &
Hammerstein, or Martin & Lewis.
As the leading lights of their day, Joan and Lee worked diligently for
conservation efforts to preserve the coldwater watersheds so critical
for healthy trout and salmon populations. They also tirelessly
promoted catch-and-release fishing to the point where it’s the norm
today, killing a fish the exception. Their travels took them to
the far reaches of the earth, in pursuit of different game fish.
Giant Bluefin Tuna in Newfoundland, Marlin in Equador, The Florida Keys
for Tarpon, Bonefish and Permit, Norway for Salmon, and the pristine
waters of the upper Beaverkill in Lew Beach, NY, where they settled and
where Joan still resides.
Sadly, Lee died in 1991 at the controls of his beloved airplane, but
Joan has kept up her distinguished career as casting instructor,
author, lecturer, and Grande Dame of the sport. Her Wulff School
of Fly Fishing is one of the finest institutions of its type, helping
thousands of people learn to master the intricacies of casting.
And her books, articles and videos have inspired thousands more.
I asked her what single casting tip would she impart to a
beginner. Without hesitation, she replied, “Learn to throw
backwards. There is no other sport that requires this, yet the
successful cast uses both a forward and a backward throw.” She
offered an easy exercise to practice this motion, which I am reluctant
to put into print for fear of children – mine particularly – trying
this at home. She said “Take a whippy green stick and toast a
marshmallow on the end of it. Now try to throw the marshmallow at
a target 20 to 30 feet behind you. This start-and-stop motion
exactly mimics the backcast.”
What about the one that got away? Joan recalled an Atlantic
Salmon that she hooked on the Alta in Norway. She had caught a
38-pounder earlier in the evening, and now had been hit by a larger
fish – much larger. She was attached to the monster for only a
few minutes, but she was able to see his tail – broader than a man’s
hand. She estimates that perhaps this was a 50-pound Salmon.
She’s rightfully proud of her biggest Tarpon – estimated at 125 pounds
and six feet in length – she caught last year at age 77. She’s
also proud of her grandsons, who aren’t half as big as that fish, but
have learned from Gram the fundamentals of casting. She sees this
generational transference of knowledge as replacement, that it’s our
duty as sportsmen to mentor another into our sport. At first,
they learned simply to roll cast, then later to actually fish.
Grandsons Alex and Andrew caught their first trout at six. On a
Royal Wulff, of course.
What’s left for this accomplished lady? “I’m a teacher, that’s my
calling. I want to share what I’ve learned, I can help
others” she mused, “I also want to catch a large Permit on a
fly.” We spoke about the best places to target this elusive,
highly prized fish. Joan believes Ascencion Bay between the
Yucatan and Belize is that place. I can see her standing in the
bow of a panga, holding one of these magnificent Mayan treasures: a
silver-bright fish fresh from the brine, gleaming in the tropic
sun. A fitting gift for royalty..
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